For that matter, our eyes and the optic system does the same thing.īlack and white photography ( see examples) depends on contrast to create image definition – the difference between the black areas and white areas builds the composition.Ī great example is the stark tonal contrast between a full moon and a pitch-black night sky. The tone goes a long way to defining the different elements in an image. Your camera detects contrast as a means of determining the focus capture. Most modern cameras rely on this style to power the autofocus algorithms of the camera processor. Without the benefit of detail and colour, the play between light and dark tones was critical.īut just because photography and camera technology have advanced, it doesn’t mean that tonal contrast is no longer needed. It’s the very type that was used in the first photographs to help build an image. To kick things off, let’s take a look at the most obvious and commonly-used type: tonal contrast. Let’s take a better look at the types available to you in your photography and also talk about when to use them. What’s more, you can be selective with the styles of contrast you employ and know the best times to use them.įinally, imagine being at a level where you know how to overlap multiple forms of contrast to push your image quality higher and narrate a compelling story… Surely that’s a good skill to have. In fact, by knowing and understanding each of the types of contrast in photography, you can master your compositions. What are the Types of Contrast in Photography?Īs we’ve hinted at, there’s a lot more involved in applying contrast to your photography than the dance between light and dark. This way, you can elevate the story that your images tell without having to take any special steps. You can also add new dimensions to your contrast game by adding conceptual elements to your image. The difference between tone, colour and texture are all a part of controlling this in your photos. It’s also important to highlight that contrast is much more than the play between highlights and shadow. Today, with the insane levels of detail and millions upon millions of available colours, it’s easy to forget about contrast as a vital part of the composition. As a result, definition and the compositional story were told through contrast – the juxtaposition between light and dark elements. Images were very grainy and low in detail. In the early days of photography, there wasn’t a lot of detail, nor even colour. In photography, we use that definition to identify the difference between critical elements in a composition. The term contrast relates to one thing being strikingly different from something else that’s in close association.
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